Viola Rühse

Functions

Head of Center

Programme Director

About the person

Viola Rühse works as the head of the Center for Image Science and course director at the University for Continuing Education Krems in Austria. She studied History of Art and German Language and Literature at the universities of Hamburg and Vienna and obtained her PhD with a dissertation on Siegfried Kracauer’s film writings. Her current main topics of research – in addition to film theory – are modern and contemporary art, science images, and critical theory. She also works as an artist/photographer and curator. One of her critical essays received the Bazon Brock Essay Award.

Projects (Extract Research Database)

Running projects

Belvedere Summer School

Duration: 03/06/2024–31/10/2024
Principle investigator for the project (University for Continuing Education Krems): Viola Rühse
Funding: Bund (Ministerien)

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Infrastructures for Digital Arts Teaching and Research in Higher Education

Duration: 01/03/2020–29/02/2024
Principle investigator for the project (University for Continuing Education Krems): Viola Rühse
Funding: Bund (Ministerien)

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Completed projects

Tool Development for Image Data Literacy: Understanding Digital Art with complex data analysis – (ImDaLi)

Duration: 01/12/2021–31/12/2023
Principle investigator for the project (University for Continuing Education Krems): Viola Rühse
Funding: Bundesländer (inkl. deren Stiftungen und Einrichtungen)

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Publications (Extract Research Database)

Böhm, K., Blaschitz, E., Rühse, V. (2024). Nothing Left to See? Stalag XVII B Krems-Gneixendorf – A Topographic Survey. Bibliothek der Provinz, Weitra

Böhm, K., Blaschitz, E., Rühse, Viola (2024). Nichts zu sehen? Stalag XVII B Krems-Gneixendorf – eine topografische Vermessung. Bibliothek der Provinz, Weitra

Blaschitz, E.; Böhm K.; Rühse, V. (2024). 4) Über das Bild-Text-Mosaik zum Stalag XVII B von Karin Böhm und Edith Blaschitz. In: Nichts zu sehen? Stalag XVII B Krems-Gneixendorf – eine topografische Vermessung. 126 - 132, Bibliothek der Provinz, Weitra

Blaschitz, E.; Böhm, K.; Rühse, V. (2024). Concerning the Visual-Textual Mosaic on Stalag XVII B by Karin Böhm and Edith Blaschitz. In: Nothing Left to See? Stalag XVII B Krems-Gneixendorf – A Topographic Survey. 126 - 132, Bibliothek der Provinz, Weitra

Rühse, V. (2024). Richard Linklater`s Before Sunrise and film tourism in Vienna. In: Tourism, arts & territories. Impacts réciproques à travers des études de cas: 291 - 311, P.I.E-Peter Lang S.A, Frankreich

Rühse, V. (2024). Wolfgang Petzet’s pamphlet Verbotene Filme [Banned films] and the censorship debate at the end of the Weimar Republic. In: University of Exeter Press, The Screen Censorship Companion: Critical Explorations in the Control of Film and Screen Media: 101 - 120, Exeter, England

Ettel L.; Wöran A. (2023). Perspektiven Digitaler Archivierung -- Das Archive of Digital Art und die Graphische Sammlung Stift Göttweig Online im Kontext des Kulturerbes Niederösterreich. Österreich in Geschichte und Literatur (mit Geographie), 4/2023: 28-44

Ettel Laura, Wöran Alexander, Iskra Isabella (2023). Blurriness in Media Art Archiving – Where Theory Encounters Practice, the Archive of Digital Art (ADA). MAST – The Journal of Media Art Study and Theory, Vol.4/No.1, 2023: 136

Rühse Viola; Hoffman Carl Phillipp (2023). Lehr- und Forschungsinfrastruktur für Digitale Künste an Hochschulen (LeFo): Die Initiative "Connecting New Media Art Archives ". Zeitschrift für Hochschulentwicklung Jg. 18, Sonderheft November: 163

Rühse Viola, Anca-Simona Horvath (2023). The presence of the absence: sensory aesthetics and Magnetic Resonance Imaging. In: Silvia Casini, Giving Bodies Back to Data: Image Makers, Bricolage, and Reinvention in Magnetic Resonance Technology: 66-68, The MIT Press, Aberdeen

Rühse Viola; Anca-Simona Horvath (2023). Visualizing Sound Waves – Complex Media Art and Chladni Patterns. Comité International de l'Histoire de l'Art, MOTION: MIGRATIONS -- PROCEEDINGS OF THE 35TH WORLD CONGRESS OF ART HISTORY: 533-550, Sao Paulo

Windhager, F.; Rühse, V.; Smuc, M. (2023). Monster in a Snow Globe: Biographies as Data Physicalizations. IEEE VISAP 2023, IEEE VISAP 2023 – Perpetual Presence: 28-29, IEEE VISAP, Melbourne

Rühse, V.; Windhager, F. (2023). Prolegomena zu der geplanten digitalen Edition des Radierten Tagebuchs von Herwig Zens. In: Herwig Zens. Keine Zeit: 14-29, Verlag für moderne Kunst 2023,, Wien

Rühse, V. (2022). Film und Kino als Spiegel - Siegfried Kracauers Filmschriften aus Deutschland und Frankreich. De Gruyter, Berlin/Boston

Rühse, V. (2022). At the Frontline: Lee Miller as a Surrealist War Correspondent. In: Lynn Hilditch, Lee Miller's Surrealist Eye: New Insights: 118-140, Newcastle upon Tyne: Cambridge Scholars Publishing, Newcastle upon Tyne, NE6 2PA, UK

Horvath, A.S.; Rühse, V.; Raptis D. (2021). SoundSculpt: A Design Framework for 3D Modelling and Digitally Fabricating Sound Patterns. In: OzCHI 2020, OzCHI 2020: 32nd Australian Conference on Human-Computer Interaction. Association for Computing Machinery, Proceedings 2020: doi.org/10.1145/3441000.3441017, OzCHI 2020, Australia

Rühse, V. (2021). Facebook’s MPK 20 Headquarters designed by Frank Gehry. In: Grau; O.; Hinterwaldner I., Retracing Political Dimensions: Strategies in Contemporary New Media: 242-256, DE GRUYTER, Berlin

Rühse, V. (2021). Travel-inspiring Skeletons in Spectre and Coco – Film Tourism and the Día de Muertos in Mexico. InMedia, 9.1.2021: https://journals.openedition.org/inmedia

Rühse, V. (2021). Maina-Miriam Munsky. Christoph Kohl und Claudia Rinke, Anders normal! Revision einer Sehschwäche, ISBN: 978-3-86206-934-7: 96-97, Kettler 2021, Dortmund

Rühse, V. (2021). Travel-inspiring Skeletons in Spectre und Coco - Film Tourism and the Día de Muertos in Mexico. InMedia, 9. Jänner 2021: http://journals.openedition.org/inmedia/2985

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Lectures (Extract Research Database)

Participatory Media Art Documentation: The Relaunch of the Archive of Digital Art (ADA)

13th EAI International Conference: ArtsIT, Interactivity & Game Creation, 13/11/2024

Beirut in Tanya Traboulsi’s fine art photography

Conflict and visualisation: Lebanon, 17/10/2024

Zens digital - skulptural - generativ

Zens digital -Spezialabend, 03/10/2024

Stanley Kubrick’s A Clockwork Orange and its filming locations, Keynote

Workshop A Clockwork Orange (Stanley Kubrick, 1971) and Brutalism, SF(a)_Society. Film. Architecture – season 3, 05/07/2024

Analyse der Filme Die Hüter des Unrats (R: Susann Maria Hempel, DE 2022) sowie A Ballad About Green Wood (R: Jirí Barta, CS 1983) sowie Gespräch mit der Autorin Franziska Füchsl, grotesk!

Festival für Literatur und Film, 08/06/2024

Nichts zu sehen

Publikumsgespräch mit Edith Blaschitz und Karin Böhm, 23/05/2024

Kafkaeskes in Siegfried Kracauers Zeitdiagnose und Medientheorie

Das Kafkaeske in den Künsten, 15/05/2024

Infrastructures for Digital Arts Teaching and Research in Higher Education (LeFo): The “Connecting New Media Art Archives Worldwide” Initiative

Digitale Forschung / Digitale Administration: Projekte österreichischer Hochschulen 2022-2024, 13/05/2024

Infrastructures for Digital Arts Teaching and Research in Higher Education (LeFo): The “Connecting New Media Art Archives Worldwide” Initiative

Online-Veranstaltung anlässlich der ZFHE-Sonderausgabe „Digitalisierung der Hochschullehre – Projekte österreichischer Hochschulen 2020–2024“, 13/05/2024

A comparative study of contemporary mycelium imagery in art and architecture

POM - Politics of the machines, RWTH Aachen,, 24/04/2024

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