Due to its history of origins the department’s widely ranged research portfolio comprises areas of basic and applied research. The centers are individually united through essential contributions provided by the research of regional, national and global cultural heritage and its transfer in cooperation with Landessammlungen Niederösterreich and further national and international partners.
In addition, the effect of visual worlds is analysed interdisciplinarily and new scientific tools for visual arts research are developed. One focus is on researching the history of media art as well as (audio)visual illusion and immersion media.
Apart from overriding themes, various organizational department units research in their specific fields of competence.
Projects
Art Experience in the (Post-) Digital Age - { original | digital | virtual }
Duration: 15/03/2024–13/03/2027
Principle investigator for the project (University for Continuing Education Krems): Hanna Brinkmann
Funding: FWF
Duration: 01/01/2024–31/12/2026
Principle investigator for the project (University for Continuing Education Krems): Anja Grebe
Funding: Bundesländer (inkl. deren Stiftungen und Einrichtungen)
Duration: 01/12/2023–31/08/2026
Principle investigator for the project (University for Continuing Education Krems): Stefanie Auer
Funding: Sonstige
Digitizing and reconstructing an Upper Paleolithic infant twin burial from Krems-Wachtberg
Duration: 01/09/2023–31/08/2026
Principle investigator for the project (University for Continuing Education Krems): Anja Grebe
Funding: Bundesländer (inkl. deren Stiftungen und Einrichtungen)
Digital Humanities Infrastructure DH-Infra.at
Duration: 01/03/2023–30/06/2026
Principle investigator for the project (University for Continuing Education Krems): Anja Grebe
Funding: Bund (Ministerien)
Duration: 01/05/2020–30/04/2026
Principle investigator for the project (University for Continuing Education Krems): Elisabeth Nowotny
Funding: EU
Duration: 01/09/2018–30/11/2025
Principle investigator for the project (University for Continuing Education Krems): Oliver Grau
Funding: EU
Program: ERASMUS+
Duration: 01/10/2022–30/09/2025
Principle investigator for the project (University for Continuing Education Krems): Jakob Maurer
Funding: Bundesländer (inkl. deren Stiftungen und Einrichtungen)
Duration: 01/09/2023–31/08/2025
Principle investigator for the project (University for Continuing Education Krems): Natalie Denk
Funding: FFG
Duration: 01/04/2024–31/03/2025
Principle investigator for the project (University for Continuing Education Krems): Gregor Pirker
Funding: Sonstige
Publications
Zenk L.; Pausits A.; Brenner B.; Campell D.F.; Behrens D.A. Stöckler E.M.; Oppl St.; Steiner G. (2024). Meta-competences in complex environments: An interdisciplinary perspective. Thinking Skills and Creativity, 101515: https://doi.org/10.1016/j.tsc.2024.101515
Böhm, K., Blaschitz, E., Rühse, V. (2024). Nothing Left to See? Stalag XVII B Krems-Gneixendorf – A Topographic Survey. Bibliothek der Provinz, Weitra
Böhm, K., Blaschitz, E., Rühse, Viola (2024). Nichts zu sehen? Stalag XVII B Krems-Gneixendorf – eine topografische Vermessung. Bibliothek der Provinz, Weitra
Blaschitz, E. (2024). Raum, Vergangenheits(re-)konstruktion, digitale Technologien und Authentizitätserwartungen. Raumbezogene digitale Praktiken und Anwendungen in Forschung, Bildung und Vermittlung. In: Victoria Kumar / Gerald Lamprecht / Lukas Nievoll / Grit Oelschlegel / Sebastian Stoff, Erinnerungskultur und Holocaust Education im digitalen Wandel Georeferenzierte Dokumentations-, Erinnerungs- und Vermittlungsprojekte. 19-34, transkript, Bielefeld
Brinkmann, H,. Grebe, A., Lopin, M. (2024). Partizipation, Co-Kreation und Citizen Science – Zwischen Grundlagenforschung und digitaler Kulturvermittlung. In: DHd 2024. Quo Vadis DH: https://doi.org/10.5281/zenodo.10698197, zenodo, online
Windhager, F.; Salisu, S.; Liem, J.; Mayr, E. (2024). The Knowledge Graph as a Data Sculpture: Visualizing Arts and Humanities Data with Maps, Graphs, and Sets over Time. In: Geographical Research in the Digital Humanities. Spatial Concepts, Approaches and Methods: https://doi.org/10., Bielefeld University Press, Bielefeld
Conroy, M.; Gillmann, C.; Harvey, F.; Mchedlidze, T.; Fabrikant, S. I.; Windhager, F.; Scheuermann, G.; Tangherlini T.; Warren, C. N.; Weingart, S. B.; Rehbein, M.; Börner, K.; Elo, K.; Jänicke, S.; Kerren, A.; Nöllenburg, M.; Dwyer, T.; Eide, Ø.; Kobourov, S.; Betz, G. (2024). Uncertainty in Humanities Network Visualization. Frontiers in Communication, 8: https://doi.org/10.3389/fcomm.2023.1305137, Frontiers
Grebe, Anja (2024). Zwischen Klosterbefestigung und Stadtmauer - St. Mary´s Abbey in York. In: Wartburg-Gesellschaft zur Erforschung von Burgen und Schlössern e.V., Klosterbefestigungen, Klöster, Stifte und Wehrbau, Forschungen zu Burgen und Schlössern, Bd. 22: 165-174, Michael Imhof verlage, Petersberg, Deutschland
Brinkmann, H., Mikuni, J., Dare, Z., Kawabata, H., Leder, H., & Rosenberg, R. (2023). Cultural diversity in oculometric parameters when viewing art and non-art. Psychology of Aesthetics, Creativity, and the Arts, online: https://doi.org/10.1037/aca0000563
Kühnapfel, C., Fingerhut, J., Brinkmann, H., Ganster, V., Tanaka, T., Specker, E., Mikuni, J., Güldenpfennig, F., Gartus, A., Rosenberg, R., & Pelowski, M. (2023). How Do We Move in Front of Art? How Does This Relate to Art Experience? Linking Movement, Eye Tracking, Emotion, and Evaluations in a Gallery-Like Setting. Empirical Studies of the Arts, 0/0: https://doi.org/10.1177/02762374231160000